In the music world, when Asake and Travis Scott join forces, the result is nothing short of explosive. The two artists have come together to create a track that’s already making waves across the globe—“Active.”

But what makes this song so captivating? Is it the catchy chorus, the infectious beat, or the seamless blend of Afrobeats and Hip-Hop? Let’s dive into the lyrics and explore the magic behind this collaboration.

The Chorus: Setting the Tone

Chorus: Asake

• Oh man, I’m active
• Oh man, I’m active
• Oh man, I’m active
• Oh man, I’m active

From the very start, Asake sets the stage with a powerful declaration: he’s active. This repetition isn’t just for rhythm; it’s a statement of his energetic presence in the music scene.

Asake’s use of the word “active” symbolizes not just physical energy but a dynamic lifestyle that’s always moving forward. It’s like he’s telling the world, “I’m here, and I’m making things happen!”

Adewale Ayuba’s Refrain: A Nod to Nigerian Roots

Refrain: Adewale Ayuba

• Maajo, fine girl
• Maajo, fine girl
• Maajo, fine girl
• Maajo, fine girl
• Maajo, maajo
• Maajo, fine girl
• Maajo, fine girl

Adewale Ayuba, a legend in the Nigerian music scene, brings a touch of traditional flavor with his refrain. The word “maajo” is a Yoruba expression meaning “let’s dance,” and it’s an invitation to listeners to join in the celebration.

• Maajo, fine girl  “let’s dance,” Fine girl

This refrain is more than just a catchy line; it’s a call to embrace joy and movement, a common theme in Afrobeats music.

Verse 1: Asake’s Journey and Ambition

Verse 1: Asake

• Gbemi dele oh, gbemi debe oh (Debe oh)
• Two shot, to ma gbemi debe oh (Debe oh)
• Too sure, iwo gan ma debe oh
• Straight forward, I no get K-leg (Debe oh)
• Oh, yeah, yeah, kosepe oh
• 24/7, me dey I here oh
• You no strong, make you dey for daycare oh
• Mo n gbona, orimi dey there oh
• Kampe oh, kampe oh (Active)
• Moduro, moduro, kampe oh
• Otipẹ ti moti sanle oh
• I’ve been active, aja mi sare oh
• Sare oh, sare oh (Active)
• Mogbe won, mogbe won, sare oh
• Eyin t’emi eje ka jaiye oh
• Aye kan lowa, ko sa ye oh

Asake’s verse is a reflection of his personal journey and ambitions. The opening lines, “Gbemi dele oh, gbemi debe oh,” translate to “Take me home, take me there.” It’s a metaphor for his aspirations, showing his desire to reach new heights.

The line “Two shot, to ma gbemi debe oh” suggests resilience and readiness to face any challenge. Asake is confident and sure of his path, indicating his determination with lines like “Straight forward, I no get K-leg,” meaning he’s focused and unwavering.

Asake also plays with words, such as “Mo n gbona, orimi dey there oh,” which implies he’s hot, both in terms of popularity and passion. The repetition of “Kampe oh” and “Sare oh” emphasizes his energetic lifestyle, one that’s always on the move.

Also Read: Asake Biography – Afrobeats Star Awards, Albums, Networth, Songs, Personal Life

 

Chorus: The Universal Appeal

Chorus: Asake & Adewale Ayuba

• Maajo
• Oh man, I’m active
• Maajo, fine girl
• Maajo
• Oh man, I’m active
• Maajo, fine girl
• Maajo
• Oh man, I’m active
• Maajo, fine girl
• Maajo
• Oh man, I’m active
• Maajo, fine girl

The chorus returns with its hypnotic repetition, creating a hook that’s impossible to ignore. The blend of Asake’s and Ayuba’s voices adds a rich texture, ensuring the listener stays engaged.

This section encapsulates the essence of the song, where both the cultural richness of Afrobeats and the universal appeal of Hip-Hop merge seamlessly.

Verse 2: Travis Scott’s Global Perspective

Verse 2: Travis Scott

• Ah, yeah, this— sht
• Left your section to come to— sht (It’s lit)
• That ain’t your b, that’s— b (Oh)
• If you don’t like it, you can sk— dk
• I just hopped off from the PJ, from the H to Ikeja (Uh)
• Got a fetish for the money, yessir (Yeah)
• If she thick, then I wanna pay her (Ooh)
• Bring more naira, I do it major (Let’s go)
• And I’m outside with the tribe (Yeah)
• Gang activity outside (Gang)
• Please believe I done seen the other side (Bang)
• Remember all we had to be was alive (Hey)
• Now I got twenty Vs in garage
• Each house, beach house, overseas and a lodge
• That was thirty mgs, every P, I prescribed
• You can see it in my eyes, don’t bother me (Yeah)
• I be in the streets on ten when I’m high

Travis Scott brings his trademark style and global perspective to the track. His verse reflects the American rap culture, seamlessly integrated with Nigerian vibes. Lines like “I just hopped off from the PJ, from the H to Ikeja” highlight his jet-setting lifestyle, connecting Houston to Lagos.

Travis’s love for luxury is evident in lines like “Now I got twenty Vs in garage,” showing his success and the rewards of hard work.

He intertwines this with a sense of danger and street credibility, emphasizing that he’s seen and experienced life from all angles.

The phrase “Gang activity outside” isn’t just about gangs; it’s about a close-knit community that stands together. Travis portrays a life of triumph and resilience, making it relatable to audiences worldwide.

The Outro: Asake’s Confidence and Determination

Outro: Asake

• And if you wish me bad, I swear na back to sender
• Shey jeje l’omo eko mi n lo, emi o bother
• And if my success dey disturb you, go recover
• If e no be money, no dey call me, no disturbance
• I’m alright, I’m alright
• Check your time, check calendar
• I’m alright, I’m alright
• Check your time, check calendar

Asake concludes with a powerful outro, reflecting his unwavering confidence and self-assuredness. The phrase “And if you wish me bad, I swear na back to sender” is a declaration of resilience against negativity, sending ill wishes back to their source.

He emphasizes his focus on success with lines like “If e no be money, no dey call me, no disturbance,” indicating a single-minded pursuit of financial growth and stability.

Asake reassures himself and his listeners that he’s on the right path with “I’m alright, I’m alright,” reinforcing his positive outlook and determination.